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Lot No: 4161

Estimate(RMB): 2,600,000-3,600,000

Price Realized(RMB):3,737,500(Including commission)

齊白石畫鴿始于新中國(guó)成立后,在二十世紀(jì)五十年代初一片世界和平的呼聲中,鴿子從舊時(shí)作為信鴿的實(shí)用、作為玩物的娛樂(lè)一躍而為和平的象征符號(hào),亦成為齊白石晚年作品中最重要的題材之一。本幅《和平永續(xù)》作于1954年,參考《齊白石全集》以及遼寧省博物館所藏兩件相近年份的《雙鴿圖》,此時(shí)齊白石畫鴿水平已臻化境,信筆而為,妙趣天成。兩只和平鴿相望,一黑一灰,一濃一淡,憨態(tài)可掬,和藹可親,獨(dú)特生動(dòng)。據(jù)胡佩衡父子在《齊白石的畫法與欣賞》一書中的回憶,老人畫鴿十分注意其神,他說(shuō):“畫鴿要畫出令人感到和藹可親,才有和平氣氛?!膘o觀此作,尤覺如此。白石老人最初創(chuàng)作和平鴿是1950年應(yīng)《人民畫報(bào)》社創(chuàng)作“和平鴿”之邀,憑借過(guò)去寫生印象創(chuàng)作而成。這一時(shí)期,齊白石畫中的鴿子沒有肉冠,造型也比較簡(jiǎn)單。在創(chuàng)作幾幅之后,因感對(duì)鴿子還缺乏仔細(xì)觀察,此后白石老人親自喂養(yǎng)并日夜觀察鴿子的輪廓、羽毛、爪子、神態(tài)等,直至1952年其畫鴿技法已日趨成熟。以本幅《和平永續(xù)圖》中雙鴿為例,雙鴿羽毛飽含光澤又富有層次,體態(tài)矯健,雙目傳神,并且在鴿子嘴的上部加了一筆小肉冠,白石老人認(rèn)為肉冠與鴿子的特征有關(guān),故不能省略。齊白石曾將自己所創(chuàng)作的和平鴿與畢加索所繪和平鴿進(jìn)行比較,言道:“他(畢加索)畫鴿子飛時(shí)要畫出翅膀振動(dòng)。我畫的鴿子翅膀不振動(dòng),但要在不振動(dòng)中看出振動(dòng)來(lái)?!庇^此幅《和平永續(xù)》中雙鴿深有此感。畫面上方綴有菊花兩簇,自古以來(lái)以菊入畫即有延年益壽之意,而本幅和平鴿佐以叢菊便有祈愿世界和平永續(xù)、謳歌美好生活之美好寓意。1956年4月27日,世界和平理事會(huì)將“國(guó)際和平獎(jiǎng)”授予白石老人。9月1日,授獎(jiǎng)儀式在北京舉行,世界和平理事會(huì)副主席郭沫若主持,茅盾代表理事會(huì)國(guó)際獎(jiǎng)金評(píng)議委員會(huì)致賀辭并授予齊白石獎(jiǎng)?wù)隆s譽(yù)證書,周恩來(lái)總理親臨會(huì)場(chǎng)向齊白石祝賀。典禮上,齊白石深情答詞:“正由于我愛我的家鄉(xiāng),愛我祖國(guó)美麗富饒的山河大地,愛大地上一切活生生的生命,因而花了我畢生的精力,把一個(gè)普通中國(guó)人的感情畫在畫里,寫在詩(shī)里。直到近幾年來(lái),我才體會(huì)到,原來(lái)我所追逐的就是和平。”本拍品有《齊白石全集》、《齊白石畫集》等權(quán)威出版,由吳平題簽、京劇名家馬玉琪舊藏,并附馬玉琪先生與本拍品合影照片。畫作尺寸雖與《齊白石全集》中所標(biāo)尺寸有偏差,但此舉是馬玉琪為防“依書作偽”而設(shè)計(jì)的巧思,故意為之,并非《齊白石全集》中個(gè)例,如2017春北京榮寶LOT367齊白石《江上余霞圖》在《齊白石全集》中所標(biāo)尺寸為120×38cm,而實(shí)際尺寸為152×48.5cm,諸如此類,不一一。QI BAISHI PIGEONS AND CHRYSANTHEMUMSInk and color on paper, mountedDated 1954Illustrated: 1. Qi Baishi's Paintings, Cultural Relics Press, 19922. Paintings by Qi Baishi, vol. 7, p. 235, Hunan Fine Arts Publishing House, 19963. Qi Baishi·Bird, p. 119, People's Fine Arts Publishing House, 2016Note: Titled by Wu Ping.Attached is a photo of Ma Yuqi and the lot.Provenance: Previously collected by Ma Yuqi.113×34.5cmRMB: 2,600,000-3,600,000
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